“A Dog Called Money,” a documentary from Seamus Murphy on British pop musician PJ Harvey, was just released in UK cinemas and on MUBI UK & Ireland.
Ahead of the release, Seamus and PJ joined Miranda Sawyer on BBC Radio 6 Music’s Sound & Vision to discuss the film. Listen to the interview here.
About the film: “Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington, D.C. Harvey collected words, and Murphy collected images.
Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public — all cameras surrendered — are invited to watch the five-week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels.
By capturing the immediacy of their encounters with the people and places they visited, Murphy shows the humanity at the heart of the work, tracing the sources of the songs, their special metamorphosis into recorded music, and, ultimately, cinema.”
In the current issue of Stern Magazine, Seamus Murphy takes to Derry, Northern Ireland, photographing IRA members.
“They bomb again and shoot sharply: an encounter with Northern Irishmen who say ‘We are the IRA, the fight continues.'”
Seamus Murphy’s short film, which was made for Channel 4 news, takes a look at those struggling to put food on the table in Yorkshire, England.
“A Dog Called Money,” a documentary from Seamus Murphy on British pop musician PJ Harvey, is premiering at the 2019 Berlin International Film Festival this February.
Writer and musician Harvey and award-winning photographer Seamus Murphy, hatched a collaboration. Seeking first-hand experience of the countries she wanted to write about, Harvey accompanied Murphy on some of his worldwide reporting trips, joining him in Afghanistan, Kosovo, and Washington, D.C. Harvey collected words, and Murphy collected images.
Back home, the words become poems, songs, then an album, which is recorded in an unprecedented art experiment in Somerset House, London. In a specially constructed room behind one-way glass, the public — all cameras surrendered — are invited to watch the five-week process as a live sound-sculpture. Murphy exclusively documents the experiment with the same forensic vision and private access as their travels.
By capturing the immediacy of their encounters with the people and places they visited, Murphy shows the humanity at the heart of the work, tracing the sources of the songs, their special metamorphosis into recorded music, and, ultimately, cinema.
