From Kylie’s knickers and rabid paparazzi packs, to tourist rides over Hollywood by helicopter, Jocelyn Bain Hogg’s photography series “Idols and Believers” is a dissection of the cult of celebrity. Join Jocelyn and Russ O’Connell to discuss our unnatural obsession with fame and fandom in the 21st century on October 2 at Second Home Spitalfields in London.
The photos in Ziyah Gafic’s Quest for Identity don’t really fit into the rest of his body of work. The images, quiet and clinical photos of objects left behind by those killed in summary executions in the Bosnian War, are a sharp contrast from the intimate and human moments that fill the stories from the rest of his 20-plus years as a documentary photographer. But looking a little more deeply at the project, it’s clear that they share a through-line common to all of his work across the globe.
Nichole Sobecki and Sara Terry were interviewed for the Women’s Media Center’s “Women Under Siege” project.
“When it comes to access, being female can also be an asset because women are often perceived as less threatening than men. ‘Photography isn’t that different from other aspects of life in that you carry your identity with you wherever you go,’ said Nairobi-based Nichole Sobecki, a member of the VII photo agency who photographs throughout Africa, and who recently won the Robert F. Kennedy Human Rights prize for her work on the African migration crisis. ‘As a woman, I’m underestimated all the time, and of course you turn that to your advantage. My goal is always to tell the story to the best of my ability, and if not being perceived as a threat will help me with that, then all to the good.'”
Daniel Schwartz appeared on SRF Swiss Public TV’s culture program Kulturplatz on January 9, 2019.
The alarming findings of climate change research hardly reach the general public and it takes art to get the message out. In this respect, the photography of Daniel Schwartz has major implications. His work on global warming dates back to the 1990s when he documented life and death in the river deltas in Asia. His project While the Fires Burn, A Glacier Odyssey, documents global glacier collapse. A glaciology in images, his black & white photographs are the result of an intense dialogue with science. In the present, they contribute to the awareness of the issue, in the future, they will be of relevance for the understanding of climate history. Schwartz’s exhibition in the Grisons Museum of Art, Chur, Switzerland, is juxtaposed with Sebastiao Salgados’ Genesis exhibition in Zurich, and the latter’s digital enhancement to Schwartz’s purist analog method.