Linda Bournane Engelberth’s “Outside the Binary” was featured in the New York Times LENS blog.
“Each portrait has a personal reflection about identity, proof that non-binary is about more than external markers: it is also about internal feelings. These first-person accounts exist beyond the frame, with and against the portraits they illuminate and complicate.”
“Outside the Binary” is Linda’s contribution to the “Her Take: (Re)Thinking Masculinity”project that premiered at Photoville. “Her Take” is an exhibition in seven parts by the Seven of VII, the seven female photographers of VII. Each photographer is undertaking a visual reflection on masculinity — re-framing it, challenging it, referencing it historically, exploring it, considering it in specific cultural contexts and changing social conventions, or coming out from the shadow of it.
On assignment for The New York Times, Zackary Canepari photographed survivors of the 2017 Las Vegas shooting on the one-year anniversary.
Ilvy Njiokiktjien’s latest work for The New York Times focuses on dementia patients in the Netherlands.
“…Their bus ride — a route on the flat, tree-lined country roads of the Dutch countryside — was a simulation that plays out several times a day on three video screens. It is part of an unorthodox approach to dementia treatment that doctors and caregivers across the Netherlands have been pioneering: harnessing the power of relaxation, childhood memories, sensory aids, soothing music, family structure and other tools to heal, calm and nurture the residents, rather than relying on the old prescription of bed rest, medication and, in some cases, physical restraints.”
Photograph Magazine published a 6-page portfolio of “The Dead Lizards Army” by Maggie Steber in their most recent issue.
With a story about the project by Elisabeth Biondi, the project is part of “The Secret Garden of Lily LaPalma” for which Maggie received a Guggenheim Foundation Grant in 2017.