VII is pleased to announce the launch of a new store, and with it, a diverse and compelling collection of images that spans 30 years, 16 countries, and untold emotions. The entire collection is a special edition with prices starting at $100.
- Adrian Øhrn Johansen, Norway
- Agata Grzybowska, Poland
- Ana Pollard, United Kingdom
- Andrea Provenzano, Italy
- Anna Liminowicz, Poland
- Charmaine Poh, Singapore
- David Shaw, United Kingdom
- Erik Abel, Sweden
- Felipe do Valle Costa, Brazil
- Giulia Ogliarolo, Italy
- Gregory Michenaud, France/Poland
- Henry Siqueira Barras, Brazil/Colombia
- Irene van Nispen-Kress, The Netherlands
- Iwona Knorr, Poland/Germany
- Jacek Fota, Poland
- Jacobia Dahm, Germany
- Joshua Brown, United Kingdom
- Lucas Sere Peltzer, Argentina
- Rozette Rago, Philippine/USA
- Saara Mansikkamäki, Finland
- Wojciech Ryzinski, Poland
- Georgia Fu, Taiwan/USA
- Pallavi Gaur, India
- Day 1: 14 to 19
- Day 2: 10-13.30 / 14-19
- Day 3: 10-13.30 / 14-19
- Day 4: 11-17
- Adeline Percept, journalist Berliner News Fabrik
- Carolina Arantes, VII Masterclass Milan alumna
- Mirna Campanella, public historian
- Alisa Resnik, author & photographer
- Michael Ackermann,photographer
- Emilio Manfredi Analist, writer & jurnalist
- Kai Wiedenhoefer,photographer
- Barbara Stauss, Photo Editor Mare magazine
- Michael Biedowicz, Photo Editor Zeit Magazin
- Robert King, Creative Director, BILD digital
- Daniel Augschoell and Anya Jasbar, Co-Editors in Chief Ahorn Magazine
- Michael Pfister, Photo Editor Zeit Online
- Pholpo, Communication Design Studio
- Carol Körting, Photo Editor Leica LFI
- Felix Hoffmann, Chief Curator C/O Berlin
- Michael Jones, Director Content & Marketing EyeEm
- Pierre Bessard, Publisher Edition Bessard Paris
- Fill out the registration form, available for download here.
- A project of no more than 20 pictures developed with any device. Send either a link or a portfolio attached to the email, individual images numbered in display order with long side of 1200 pixels at 72dpi
- A 200 word biography
- A description (400 words max.) of the project that you intend to develop during the master classes, on the theme: The Other.
- Not included: flight, accommodation, any other meals. Any extra personal expenses are to be paid by the participant. A laptop and a camera are recommended but not essential if you prefer to bring your projects on a USB key and to work with your smartphone.
- Method of payment: through PayPal on the email address that will be provided to those selected. Payment should be made within 3 days. You can make a single payment of €2100 (VAT excluded), or two payment of €1050 (one by 4 August, 2016 and the other by 1 September, 2016).
Update: Thank you to all of those who applied to VII Masterclass Berlin 2016/17. We received applications from 28 different countries around the world!
The names of the students selected to participate in the masterclass are below:
VII Masterclass in Berlin, Germany
Dates: September 2016 – March 2017
The VII Masterclass offers a teaching path for 14 participants, who will enroll in the tradition that has always distinguished the VII agency in forming new generations of photographers. The Masterclass take place over a period of seven months, spread over 3 four-day sessions on a quarterly basis.
With the objective of making a decisive contribution to the participants’ professional training, there are scheduled encounters with International photography professionals in each session of the Masterclass, such as photo editors and festival directors, as well as photographers from the VII Agency.
Each participant will complete a personal project during the Masterclass under the supervision of an assigned master photographer, who will also monitor the student through a number of Skype calls.
The Masterclass is open to all, regardless of age and photographic identity.
The Master photographers from the agency are: Jocelyn Bain Hogg, Stefano De Luigi, Ashley Gilbertson, Maciek Nabrdalik, Chris Morris, Tomas Van Houtryve. There will be ten other International speakers who will take part in the training program.
The training will be supervised by Stefano De Luigi, VII photographer, and Linda Ferrari, from the Photo-Berlin project.
The sessions will last 4 days:
The Masterclass Venue will be in Berlin Kreuzberg c/o GlogauAIR.
The VII Masterclass is an educational initiative which aims to sustain participants in the making of long term projects, laying the foundations for their photojournalistic identities. After the 2014/2015 Milan event, Berlin will play host to the upcoming VII Masterclass, which will take place over a period of seven months. Among the photographers who attended the very first VII Masterclass, some have obtained international recognition, such as Carolina Arantes (Prix Fondation Lagardère) and Nadege Mazars (Magnum Foundation Grant 2016).
During the VII Masterclass, participants will have direct access to six teaching Masters over three scheduled sessions of four days each. They will also be supported and monitored by a Master of their choice through a monthly Skype call, in order to evaluate progress and solve any potential issues.
Within each of the three Masterclass sessions, participants will benefit from the contribution of a number of guests hailing from the editorial, artistic and visual culture worlds. Diversity in the contributions offered is a distinctive feature of the Masterclass curriculum and reflects the commitment of VII Photo to further widen the horizons of photojournalism.
The photojournalism industry has deeply changed over the past 15 years and a different kind of training has become mandatory for the new generation of photographers, who are now required to increase their skills and expand their knowledge through interaction with disciplines culturally aligned with photography.
For this reason, some of the themes explored in the last VII Masterclass program were – amongst others – video art, crowd-funding, exhibition design, digital archiving and the concept of mental maps, which enable better and alternative work organization.
The VII Masterclass is open to all photographers, with no age limit or nationality restrictions. Classes will be taught in English. Participants will be selected by a jury after the submission of a 20-image portfolio and a text illustrating the project that they intend to develop following the year’s theme: The other.
The theme of the second VII Masterclass, The Other focuses on a fundamental issue of contemporary society: The Other is what is different to us. The Other is not us, but it is also us.
The Other is an immigrant, if we are still living in our homeland, or a foreign native that we don’t understand, if we are the expatriated.
It is an ill person, when we are in good health, or someone privileged, when we are less fortunate. The Other is our most truthful mirror, even though we often think that this mirror is distorted.
As a consequence, photographers have a duty to reflect on encountering The Other, in order to instill a positive change in people’s mentality, through the stories they portray.
First session | September 27 – 30, 2016
Finding your story and your own style
The first session of the second VII Masterclass will focus on the importance of finding a personal style and how to hit upon the right story to tell.
Two VII photographers will guide participants through this process, starting from the experience of one of the participants of the previous Masterclass.
A guest historian will illustrate the many stories that it’s possible to uncover in the city of Berlin, and a guest journalist will help participants to acquire and use the necessary skills that are needed to search through the news and develop a narrative.
To complete the picture, two internationally acclaimed photographers, who turned their quest for a personal and unique style into a professional career, will give a presentation of their most recent projects.
VII Photographers: Stefano De Luigi, Ashley Gilbertson
Second session | December 19 – 22, 2016
Editing your work
The second session of this Masterclass will help participants to enhance and refine their editing skills. Contributions by numerous photo-editors hailing from the publishing industry will offer participants a chance to interact with the professional world of news publishing, showing them that editing one’s work is just as essential to a photographer as the selection of reality when framing a subject or scene.
From a specialized magazine dedicated to photo essays and reportages (MARE), to Germany’s leading weekly newspaper supplement (Zeit Magazin), passing through a national newspapers, ending with a monthly magazine, this session is entirely centered on the selection process, a natural step after the identification of a story and a personal style (1st session).
VII Photographers: Jocelyn Bain Hogg, Maciek Nabrdalik
Third session | March 16 – 19, 2017
The third and final session of this Masterclass will analyze the tools that are required for promoting a photographers’ work and reaching out to a wider audience. The main subjects of discussion will be: creating a personal website that works perfectly well on portable devices and is fully connected with a photographer’s presence on social networks; the importance of being published in news magazines; the new publishing industry, which, over the years, has created a community of supporters and not just one of “passive” readers; the importance of having one’s work exhibited in specialized venues for a photographer’s career.
VII Photographers: Chris Morris, Tomas Van Houtryve
Submissions to the VIIMasterclass will be accepted between 1st June and 17th July 2016.
The results of the selection process will be communicated directly to the successful applicants and their names will be published on the VII Photo website on 30th July.
The Masterclass is open to all, regardless of age and photographic identity.
To apply for the VII Masterclass, participants must send an email to VIImasterclass@gmail.com by 17 July containing the following information:
A team of master photographers from the VII agency will compose the jury that will select the participants.
The results will be announced by 30 July, 2016.
The Masterclass fee is € 2100 (VAT excluded) and includes 12 days of lessons, 4 30-minute Skype calls, food and drinks during the lessons and dinner on the 2nd day.
The course will go through only when the minimum number of paying participants is confirmed.
The VII Mentor Program, a unique initiative that has developed some of the brightest new talent in the profession since it began in 2008, seeks to provide professional development for emerging photographers whom the Members consider to be the brightest new talents in the industry. For two years, each selected photographer will work with a senior member of VII to build and polish necessary skills and to expand his or her own professional practice. VII Photo Agency will distribute the photographers work for the duration of the Mentor program. The photographers selected for the VII Mentor program are nominated by the VII Member photographers. Photographers who join this program must be sponsored by one of the VII Member photographers who will then work with them for two years.
The photographers currently in the program include:
War, Politics, Fashion
Christopher Morris’ eclectic career has embraced conflict photography, political coverage, portraiture and fashion. For each, he has shaped a distinctive visual style.
Facts and Fictions
Jessica Dimmock talks to Josh Siegel, Associate Curator of films at MoMA, about practical tips on filmmaking as well as insights on breaking into the independent movie scene.
Dallas, United States
The Dallas Center for Photography will be having Ed back to Dallas to lead a workshop on the concept of Working Near and Far from February 1 – 5, 2017. Over four days students will meet at the studio and go out in the field to discover what photography means to them in the context of visual storytelling.
The following topics will be explored:
- Near: Photographing a detail in your home that tells where you live and what you do to.
- Personal history: Telling a story in pictures of your own life.
- Keeping in close: How to approach and photograph someone you have access to.
- Finding the exotic in your own back yard: “You don’t have to go to Afghanistan to make great pictures.”
- Far: discussing how photography can report and affect geopolitical issues.
- How social media and image sharing platforms like Instagram can be used to curate and publish visual stories.
A portfolio review is required before registration is complete.
Clarksdale, Mississippi, United States
Through Barefoot Workshops, Ron Haviv will lead a week-long photography workshop in the Mississippi River Delta, February 5 – 12, 2017. In line with Barefoot Workshops’ hands-on philosophy, Haviv will lead students through the experience of telling someone else’s story, and how that experience changes you, your subject, and the community.
Over the course of the week-long workshop, students will attend lectures by Haviv, discuss various strategies for producing a project, and then embark on their own storytelling in the field. To conclude the workshop, Haviv will work with each photographer to edit work from the week and produce a final group show.
Snowmass, United States
Join Ed Kashi and James Estrin for a 3-year Mentored study program at Anderson Ranch Arts Center in Snowmass, Colorado.
Application deadline: March 3, 2017; notified by March 17, 2017
Dates: July 17 – 21, 2017; July 16 – 20, 2018; July 15 – 19, 2019
Tuition: $1,500; Studio Fee: $50; Registration Fee: $45
The Center for Advanced Mentored Studies at Anderson Ranch is a vital link in the education of emerging artists. Advanced students gain access to master faculty—top contemporary artists and educators—over a three-year period, providing rigorous inquiry and steady direction for their individual practice. Students gain the critical levels of knowledge and mentorship necessary to take the next, important steps of becoming serious contributors in their chosen fields. The program, which includes studio work, critical dialogue and critique, offers artists the opportunity to expand the scope of their current practice as well as their ability to develop a critical eye regarding their work. Students meet once per year for a week-long workshop at Anderson Ranch. Students are expected to continue to work on a project (or projects) over a three-year period. In addition to the summer classes, participants engage in mid-year portfolio reviews as well as individual bi-monthly meetings online with faculty to discuss their ongoing work and progress. At mid-year, faculty conduct an online critique with the whole group.
The digital age has given documentary photographers and photojournalists new ways to tell stories with greater authorship and control. Embark on a three-year journey and focus on how to create a personal documentary project and get it seen. The ultimate goal is to find a subject that speaks to a personal passion, document it in a unique visual style, and disseminate the work. We harness new technologies to be more effective storytellers, including iPhones and Instagram, social media and transmedia.