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Lines and Lineage
September 25, 2019 - October 25, 2019
Neue Schule für Fotografie
About the work
Lines and Lineage takes aim at America’s collective amnesia of history. The work addresses the missing photographic record of the period when Mexico ruled what we now know as the American West. To visualize the people and places from the remarkable yet unseen Mexican era, Tomas van Houtryve chose to photograph the region with glass plates and a 19th-century wooden camera. Portraits of direct descendants of early inhabitants of the West—mestizo, Afro-Latin, indigenous, Crypto-Jewish—are paired with photographs of landscapes inside the original border and architecture from the Mexican period. Lines and Lineage lifts the pervasive fog of dominant Western mythology and makes us question the role that photographs—both present and missing—have played in shaping the identity of the West. The work will be published as a monograph by Radius Books in Autumn 2019.
About the Award
The Leica Oskar Barnack Award honors “professional photographers whose unerring powers of observation capture and express the relationship between man and the environment in the most graphic form.” It is named after Oskar Barnack, the inventor of the Leica camera, and it has been awarded since 1979. Previous winners include Martin Kollar, Guy Tillim, Andrea Hoyer, Luc Delahaye, Claudine Doury, Larry Towell, Eugene Richards and Sebastiao Salgado. My series, Behind the Curtains, was also chosen as LOBA finalist in 2011. For the 2019 award, the members of the jury were Karin Rehn-Kaufmann, Max Pinckers, Milena Carstens, Enrico Stefanelli and Steve McCurry.
Reviews and praise for Lines and Lineage
“…Using a North American map from 1839 (the same year that photography is thought to have made its debut in Europe), Mr. van Houtryve traveled along Mexico’s old northern border to meet families who have lived in the region for centuries.
His equipment in the Instagram age? A 19th-century camera he found in a Paris antique shop. He stocked up on the glass plates and pungent potions needed for the wet-collodion process, a technique invented in 1851. Doing so, Mr. van Houtryve conjures what the West may have looked like in the Mexican era…”
“His portraits are carefully researched and historically relevant – all of his subjects are descendants of the area’s original Mexican inhabitants. Quiet and dignified, the images pay tribute to Nadar, whose powerful portraits Van Houtryve admires. He focuses on his subjects’ eyes, conveying a sense of their interior life. He presents the work in diptychs that juxtapose portraits with romantic landscapes, reflecting an intimate connection between humans and nature…”
“…Photographing the descendants of families who live on the once-Mexican territory, Van Houtryve proves their existence within a dominant narrative that often ignores them. Using traditional nineteenth century photographic techniques, like wet plate glass negatives, the artist taps into the aesthetic of the 1800s…”